After a four-year hiatus, Guitar.com is set to return to print, this time in an all-new premium magazine format, alongside new monthly digital covers spotlighting innovative talent and outstanding gear.

Also returning to print is Guitar.com’s sister brand MusicTech, with each new magazine launching on 29 May and 31 July, respectively. Both mags will come loaded with unmissable features, expert reviews and loads more.

In terms of release schedule, the new Guitar.com and MusicTech print editions will alternate with every bi-monthly edition of NME Magazine – which itself was relaunched in 2023 – meaning three print editions per calendar year for each brand, offering premium value for superfans, artists and readers worldwide.

Both Guitar.com and MusicTech’s monthly digital covers will alternate between spotlighting artists and gear, with each supported by an in-depth feature, behind-the-scenes video and social-first content.

“Following the successful relaunch of NME Magazine in 2023, we’re thrilled to bring back both Guitar.com and MusicTech in high-quality print formats,” says Holly Bishop, Chief Operating & Commercial Officer at NME Networks.

“These new magazines will reward our global audiences with the thought provoking features and insightful reviews our brands are world-famous for. We can’t wait for you to dive in.”

Guitar.com is the destination for all things guitar, with a knowledgeable, curious and expressive editorial team dedicated to connecting audiences with their passions through fun, authentic and helpful content.

Meanwhile, MusicTech is the world’s leading media brand at the intersection of music and technology, covering how technology is shaping the future of sound for the new generation of music creators and consumers.

If you’re a regular reader of either brand, make sure you sign up to the Guitar.com and MusicTech mailing lists for exclusive opportunities in tandem with each launch.

Sam is the Associate News Editor for Guitar.com and MusicTech. Thoroughly immersed in music culture for the majority of his life, Sam has played guitar for 20 years, studied music technology and production at university, and also written for the likes of Guitar World, Total Guitar, Metal Hammer and MusicRadar.