Co-published by Thames & Hudson and V&A, Fiona Rogers’ Cut Out is a 240-page dive into photo collage, photomontage and assemblage, framing the cut as both a technique and a way of thinking. From Lorna Simpson’s cosmic reworking of the pin-up and Helen Chadwick’s visceral blue photocopies to the Surrealist experiments of Claude Cahun and […]
The post The feminist possibilities of the cut image appeared first on 1000 Words.
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