"Sacha Jafri sold an artwork for $62 million dollars in 2021 at an auction. But the money never changed hands. What happened?"
For a brief time, Sacha Jafri was both the creator of the world’s largest painting and one of the world’s most expensive living artists, after his 17,000‑square‑foot work The Journey of Humanity was theatrically “sold” for $62 million at a Dubai charity auction. The buyer, French “crypto billionaire” André Abdoune, never paid a cent and, given his history as a serial fraudster, almost certainly never will—meaning no money ever reached the charities that were promised the proceeds. So what was the real story: a giant painting, or a giant scam?
Many of Jafri’s other claims do not stand up to scrutiny. He is often touted as an artist whose work sells in the millions, but publicly available commercial auction records are more modest. His most expensive painting before The Journey Of Humanity was a piece called Dance of the Midnight Samurai, which sold in 2019 for approximately $70,000. The previous year, another work, Dreamscape II, went unsold at two auctions, before eventually being acquired for $893. Newspaper articles document purchases by Kevin Spacey and Guy Ritchie, but there are no reports of sales to Bill Gates, Leonardo DiCaprio, Barack Obama or Bill Clinton. No pictures exist of their red-printed hands.
Alexander Chee | The Morning News | October 16, 2009 | 4,253 words
“Writers aren’t born, they’re made—from practice, reading, and a lot of caffeine. And sometimes tutelage.”
Chris Stanton | Vulture | August 3, 2026 | 3,576 words
“A Tennessee native and longtime film projectionist who first started working in Imax theaters in the ’90s, Caldwell has become integral to Imax’s 70-mm. rollouts even as he considers himself mostly retired.”
Matt Seaton | The Atlantic | July 19, 2026 | 1,821 words
“Why we love them, and why I build them.”
Travis Diehl | The New York Times | July 22, 2026 | 2,580 words
“Charles Ross spent 50 years building ‘Star Axis,’ a naked-eye observatory in New Mexico. Now his masterwork is ready. How to share it with a changed world?”
Robert Zaretsky | The American Scholar | July 20, 2026 | 1,560 words
“We are all, it seems, still waiting for Godot.”
Jesse Green | The New York Times | May 27, 2026 | 2,664 words
“Decades after ‘The Emporium’ failed to open on Broadway in 1954, one man went on a quest to find it.”