Benediction                                                                              Cert: 12A, 2hrs 17mins

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The Innocents                                                                               Cert: 15, 1hr 57mins

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The Road Dance                                                                          Cert: 15, 1hr 56mins

Rating:

Siegfried Sassoon is rightly celebrated as one of the great First World War poets but it is often forgotten that, unlike his friend Wilfred Owen, killed in action just before the war ended, Sassoon lived well into the modern age, eventually dying in 1967 at the age of 80.

Benediction, the new film from veteran British director Terence Davies, explores the poet’s long, turbulent and often unhappy life.

It makes an awkward start, jumping between Sassoon’s late-life conversion to Roman Catholicism and his youthful prime, half a century earlier, and what would shape his life – the war, his famous ‘A Soldier’s Declaration’ which saw him sent to Craiglockhart Psychiatric Hospital rather than face a court martial, and his homosexuality.

Jack Lowden is excellent as the younger Sassoon, although with Davies supplying a screenplay that often comes across as a blend of clever verbal jousting and over-polished bons mots and a cast of characters that include Ivor Novello, Edith Sitwell and the socialite Stephen Tennant it teeters occasionally on the edge of period, Evelyn Waugh-style pastiche.

The Innocents is an impressive Scandinavian chiller that sees young Ida (Rakel Lenora Flottum) arriving with her parents and autistic sister to begin their new life on a Norwegian housing estate.

She’s resentful of the attention her mute and distant sister receives and has trouble making friends. But when she finally befriends Ben (Sam Ashraf) he turns out to have magical powers.

Is it a trick or something more extraordinary? Ida has no idea and is too young to care.

But we do care, especially when the pair befriend another little girl with special talents, Aisha (Mina Yasmin Bremseth Asheim).

Yes, there’s a touch of X-Men: Kids but the children’s naturalistic performances are extraordinary and, with director Eskil Vogt playing it totally straight, its impact is quite something.

The Road Dance is a period drama set on the Scottish island of Harris during the First World War and revolves around life-changing events that take place at a dance held to say goodbye to a remote village’s conscripted young men.

For pretty Kirsty (Hermione Corfield) it’s already a bad day as she waves off her beau, Murdo, but it’s about to get much worse.

It’s a little clunky in the later stages but atmospheric and authentic-feeling too.